Award-winning poet, essayist, and editor Lisa Martin is the author of One Crow Sorrow (2008) and co-editor of How to Expect What You're Not Expecting: Stories of Pregnancy, Parenthood, and Loss (2013). She teaches literature and creative writing at Concordia University of Edmonton.
"Believing is not the same as Being Saved" is a quietly elegant book of poems.... You can see and feel the meticulous care Martin has taken in crafting these poems, constructing this book.... Martin understands that much of life is a paradox, that joy and sorrow are birds dancing on the same high wire." Michael Dennis, Today's Book of Poetry, June 24, 2017
'[This] is an intricate collection of poems that meditates on pivotal traumatic events in the speakers life that challenge her faith.... In language that turns in and out of itself in finely tuned poetic phrasing, Martin deftly manages a vision that embraces death and loss as the other side of life and love and what matters most to us.... With poems that carry a religious and philosophic fervourwhose parallel in literary tradition might be Gerard Manley Hopkins with his rapturous sonnets that delve into his own faith and doubt about God Martins verses are embedded with incandescent images from the natural world and are sinuous with thought riddled with paradox." Gillian Harding-Russell, The Goose, Vol. 16, Iss. 1 [2017]
"... a careful examination of grief, change and the lines between things. Throughout the collection, Martin's speaker is deeply attuned to the mutability of the world. Images blend, timelines shift, and everything changes.... Martin urgently carries life and death to the reader, not to provide answers or antidotes, but to do the important work of showing us the rawness of living in a world where good things end." [Full review at http://www.prairiefire.ca/believing-is-not-the-same-as-being-saved-by-lisa-martin] -- Noah Cain -- Prairie Fire, 20190115
"Lisa Martin's "Believing is not the same as Being Saved" cleaves even closer to the holy, keeping religious motifs so near her natural language that they slip in unnoticed until they start to pile up, as in the various uses of the sword 'saved' in the title poem. Martin's best poems have a knack for reaching epiphanies by assiduously focusing and unfocusing their gaze.... Martin takes seriously the need to navigate between the philosophical and material worlds. " -- Jacob McArthur Mooney -- Quill & Quire, 20170404
Stephan G. Stephansson Award for Poetry
Writers' Guild of Alberta (2018) - Short-listed [Canada]
Robert Kroetsch City of Edmonton Book Prize (2018) - Short-listed [Canada]
Robert Kroetsch Award for Poetry
Alberta Book Awards, Book Publishers Association of Alberta (2018) - Short-listed [Canada]
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