While the concept of the documentary film is well established, interactive documentary is a newly emerging form of non-linear, non-fiction narrative that animates viewers to control their own path through a film.

Stefano Odorico examines the aesthetic structures and dynamics of interactive documentary as a web-based film experience. His study considers theoretical issues such as critical complexity, reality effect, and polyphony, and assesses their respective media practices. Questions of distribution and preservation are addressed through the analysis of a number of film festivals, museums, and archives. Lastly, Odorico explores the potential of interactive documentary as a research method not only specifically for film and media studies but also for the academia more generally.