Name: Soundings
Brand: University of Huddersfield Press
SKU: 9781862181540
Price: 19.5 GBP
Availability: InStock

Soundings

Documentary film and the listening experience

By (author): Geoffrey Cox, By (author): John Corner

Published by University of Huddersfield Press

In Stock

£30.00

£19.50

Published: 23-Jul-2018
ISBN: 9781862181540

Paperback
298 Pages
61 colour & 19 b/w illus

Subjects:
Film
TV & radio
Music

Quantity

This book draws on the lived experience of sounds capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sounds resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound.

Geoffrey Cox is a Senior lecturer in Music and a filmmaker and composer of both acoustic and electronic music with a focus on its application to documentary film sound. This has resulted in a number of solo and collaborative film projects: Cider Makers (Marley and Cox, 2007), No Escape (Cox, 2009), A Film About Nice (Marley and Cox, 2010) and Tree People (Cox, 2014). He has recently finished working with Marley on Mill Study (2017), a short film about a working textile mill in Slaithwaite, West Yorkshire, which receives its overseas premiere at Ethnograflm, Paris in April 2018. He has published articles in The Soundtrack, The New Soundtrack and Contemporary Music Review on the contextual underpinning of his work. His most recent Organised Sound article (2017) links the pioneering approach to sound of pre-WWII British documentary filmmakers, with Pierre Schaeffers musique concrète.

John Corner is Visiting Professor in Media and Communication at the University of Leeds and Professor Emeritus of the University of Liverpool. He has published widely since the 1970s in international journals and in books with aspects of documentary history and form a regular theme alongside theories of media power and the forms of political mediation. Edited collections relevant to this book include Documentary and the Mass Media (1986) and the co-edited New Challenges for Documentary (second edition, 2005). His monographs include The Art of Record (1996) and more recently Theorising Media (2011) and the co-authored Political Culture and Media Genre (2012).