This is the work of a reflective and sensitive poetic talent: one run with gleaming wires of joy. In poems that gather together the vivid details of childhood memory, the surreal juxtapositions of life in the contemporary West, the wry observations of a temporary expatriate, the deeply lodged pain of historical and personal loss, Lynley Edmeades speaks to us in delicately spun lines that press out ironies, dissonances and profound formative experience. From playful, rhythmical poems about the art of dinner conversation, to warm glimpses of intimacy, she lays poetry's table with the knife of light satire, the bright salt of wit, the heady wine of love, the bread of knowledge. This quietly poised, confident first collection has a musical, emotional and thematic range of a substantial new talent.
Lynley Edmeades is the author of two poetry collections, As the Verb Tenses (2016) and Listening In (2019). She has an MA in creative writing from the Seamus Heaney Centre for Poetry at Queens University of Belfast and holds a PhD in avant-garde poetics from the University of Otago. In 2018, she was the Ursula Bethell Writer in Residence at the University of Canterbury, and she currently teaches poetry and creative writing on the English program at the University of Otago
"What a fine reminder this collection is, of how language is what memory is played on, and gives the
moment its flair, its resonance, its abiding form. I admire As the Verb Tensesfor how the past and the present so vividly ring in lines of such clarity and precision and deft witty assessing. As wine buffs like to put it, I was held by its immediate impact, as much as by its maturity and depth." -- Vincent OSullivan